Maintaining the facade is impossible and this shift across the sitcom spectrum indicates the illusion is about to come to an end. While “W-V 2000” is a valiant attempt at capturing this era of comedies, this is also the moment when Wanda’s fantasy starts crumbling, which is indicative of this workplace comedy inspiration rather than the family theme that has been running throughout. Perfectly capturing the ‘00s quick burst lyric-free Office and Happy Endings vibe (see also Parks and Recreation and 30 Rock), this is an era when sitcom themes were in the final throes before the “skip” option has made this tradition obsolete to some. So grab a martini from the drinks cart, relax on the sofa, and read on for our WandaVision theme song rankings.ħ) “W-V 2000” - “Breaking the Fourth Wall” (Episode 7) But while there is not a single one of the seven entries we’d want to skip, some are more catchy and effective than others.
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United by a signature motif weaving the same four notes throughout, there’s cohesion even when the music from the period varies greatly. More than just an earworm, these cultural artifacts speak to a time and place that conjure up images of witches, blended families, and hilarious suburban hijinks. While there was no surprise signature song reprise to close out the sitcom-inspired adventure, Wanda’s personal journey is a reminder of the power of a prime-time title track. Not only did they hit a variety of beats, but the married music maestros delivered delightful bops for each episode - though we expected nothing less from the masterminds behind Frozen’s “Let It Go” and the beautiful “Remember Me” from Coco. Capturing the mood of the various eras while maintaining the humor and whimsy of the series, and offering up clues regarding the wider narrative is a complex juggling act. Conceiving one catchy theme song is a daunting assignment, but two-time Oscar-winners Robert Lopez and Kristen Anderson-Lopez were tasked with conceiving a whopping seven different jingles, covering eras from the 1950s to the 21st century. Plus, for WandaVision, creator Jac Schaeffer and director Matt Shakman turned to a formidable duo to highlight the storytelling power of opening credits. In crafting a love letter of sorts to this medium and genre, it is heartening that the intro isn’t reduced to the Marvel identity or a theme-less title card that has become the norm in recent years. Like most Millennials, even Prince Harry knows (most) of the words to The Fresh Prince of Bel-Air theme (as he recently proved on The Late Late Show with James Corden). “I’ll Be There For You” by The Rembrandts topped the Billboard Hot 100 Airplay chart in 1995 for eight weeks.
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More than just a jingle, a TV theme captures the mood and stays with viewers long after production has ceased.
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Wanda would definitely not utilize the Skip option. Wanda is the creator of this world and her fondness for older comedy series’ (her favorite being The Dick Van Dyke Show) is evident from the appearance of theme songs in each iteration of this broadcast. Depicting the evolution of shooting style and recognizable joke structures offered up a different Marvel experience than previous superhero ventures that have rarely strayed outside the box: Rather than a simple pastiche, WandaVison’s journey through this beloved genre is an exploration of grief wrapped in a long-awaited origin story. From the very beginning, Wanda Maximoff’s ( Elizabeth Olsen) TV-inspired safe haven in WandaVision captured the essence of family sitcoms, from mid-century production design to a closet packed with colorful cheery attire.